Military Landscapes by Ingrid Book & Carina Hedén

Questions by Tim Olson

Your art making practice demonstrates an interest in a type of journalism, and
an emphasis on archive. Can you talk about ways in which your practice is able
to subvert normative means to construct a specific story about the present?

Is bias critical to your work?

When ‘public art’ enters the museum or becomes an exhibition, how is it
transformed? What is the potential of Art (not art) to effect public
perception?